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关键词:阿兰·罗布-格里耶 N.已经掷了骰子 N拿走骰子 剧情
互播网为您提供1971年由凯瑟琳·卓丹 Pierre Zimmer 西尔万·科尔泰 朱拉什·库库拉 Catherine Robbe-Grillet Ludovít Króner 主演,阿兰·罗布-格里耶 导演的《N.已经掷出骰子》/原名《N. a pris les dés...》/又名《N.已经掷了骰子 / N拿走骰子》电影在线观看,《N.已经掷出骰子》百度云网盘资源以及《N.已经掷出骰子》高清mp4迅雷下载,《N.已经掷出骰子》BT下载,希望您能喜欢!
我叫 N. K.,人们都称呼我简称N.。我是谁?就好像“Nemo”的首字母,或者是“航行者(navigator)”或“讲述者(narrator)”,还有邪恶的“
Plot Summary:Long before there was any notion of "remix culture," famed French writer Alain Robbe-Grillet created this radical re-imagining of his own feature EDEN AND AFTER (which no doubt to most viewers had already been quite radical enough). In the 1970 original, perverse games amongst student types at a Mondrian-inspired cafe are kicked up a notch when a mysterious older stranger (Pierre Zimmer) appears to offer a hallucinatory "fear powder." A young woman (Catherine Jourdan) who ingests it finds herself trapped in a bizarro world of sex, violence and surrealism, first at a maze-like factory, then in Tunisia where youths are subjected to S&M tortures in striking all-white settings. This enigmatic narrative and its outré content are pushed several degrees closer to total madness in N. TOOK THE DICE, which scrambles an already ambiguous chronology to the point of freeform collage. A voiceover narrator provides the only semblance of logic in a mash-up that incorporates not just footage from EDEN...
资源名称 | 类型 | 大小 | 下载 |
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N.a.pris.les.dés...1971.1080p.Bluray.DTS.x2 | 5.72GB | 下载 |
资源名称 | 类型 | 大小 | 下载 |
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N.a.pris.les.dés...1971.720p.Bluray.DTS.x26 | 2.96 GB | 下载 | |
N.a.pris.les.dés...1971.576p.Bluray.AC3.x26 | 1.21 GB | 下载 | |
N Took the Dice 1971 720p BluRay AVC-mfcorrea | 下载 |
资源名称 | 类型 | 大小 | 下载 |
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N. a pris les des... (Alain Robbe-Grillet - 1971) | 891.02 MB | 下载 |
如果不是现有素材重塑,而是单独地演绎这场思考,应该会好很多。
对这类片子不要去欣赏而要去感受
凯撒大帝的名言"骰子已经掷出",化入这支离破碎的情色断章。狂野的游戏往往弥漫着金戈铁马的氛围,孤注一掷后是驷马难追的惶恐。庄生化蝶,蝶儿对镜成双再成双,以级数方式构成了这块随意扭动的魔方,即是格里耶对此在的剖解。
画面干净,摄影赞..当然齐逼小衬衫也很赞
t3d15a0a94 t35264dd86 Rar Password: http://www.douban.com/group/subtitle/ 字幕:http://shooter.cn/xml/sub/167/167056.xml
连同之前的《伊甸园及其后》,格里耶创造了双重褶子的假象,从这种创造行为本身观之,手段尚欠火候。彼世存在的意义不在于其数量多寡,此在终逃不脱与此世的照面。
《伊甸园及其后》的另一剪辑版本
寫作(創作)的零度。
没看明白,一种构思,两处闲愁。
格里耶对意象的堆叠与描绘已到了走火入魔的程度。