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互播网为您提供1987年由Rhonda Bell Elion Sucher 主演,詹姆斯·班宁 导演的《静态自杀》/原名《Landscape Suicide》电影在线观看,《静态自杀》百度云网盘资源以及《静态自杀》高清mp4迅雷下载,《静态自杀》BT下载,希望您能喜欢!
在这部电影中,本宁继续通过两个杀人犯的故事来审视美国文化。埃德·盖恩(Ed Gein)是威斯康星州的一名农民,他在20世纪50年代曾多次谋杀受害者。伯纳黛特·普
Plot Summary:In "Landscape Suicide" Benning continues his examination of Americana through the stories of two murderers. Ed Gein was a Wisconsin farmer and multiple murderer who taxidermied his victims in the 1950s. Bernadette Prott was a California teenager who stabbed a friend to death over an insult in 1984. Benning's distanced approach to such grisly material is as far removed as possible from sensationalism, however. Although the acts of murder are both bizarre and violent, Benning dwells on them only minimally, emphasizing instead the details of psychological motivation, which in both cases seem frighteningly mundane. Benning has created a script which is a masterpiece of understated colloquial writing, and the actors he employs to re-enact confessional testimony and incidents recounted in trial transcripts perform with a flatly convincing lack of affect reminiscent of Gary Gilmore. The two monologues are embedded in Benning's characteristic meditations of landscape: long shots of the Wisconsin farmlands, general stores, dirt roads and pick-up trucks, and the carefully tended lawns, swimming pools, sprawling bungalows and malls of the middle-class California suburb. These images are offered in the classically spare mise-en-scene which Benning has perfected in his work as a cinematic poet of the contemporary American environment. Here, in his most accessible film so far, the beautiful, open vistas are dense with the significance of the catastrophes they engendered
资源名称 | 类型 | 大小 | 下载 |
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Landscape.Suicide.1987.DVDRip.x264-BiPOLAR | 1.20 GB | 下载 |
资源名称 | 类型 | 大小 | 下载 |
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Landscape Suicide (1986, James Benning) | 1.07 GB | 下载 |
跳接是一个接续亦或是另一个时空:无与伦比的实虚,记录与剧情的混乱。一段哀舞,与静态风景与文字拼接出的时空。伟大已无需多言。
高分辨率锐化也成为了镜头语言的一部分
冰冷,是看完的电影直观感受。影片中的固定镜头就像是来自死亡的凝视,对这个“生机勃勃”的世界投以没有温度的目光。
4.5
比想象中要好,但是也没有太过特别的地方,有点像纪录片、谈话录之类的。但对于杀人事件来说这种拍摄方式之前没怎么见过。
总是黑一下屏讨厌死了
通过几段概述,不断地切静止或运动的空镜头来让观众自己连接、想象、拼贴、感受出故事,在那些空境中,仿佛过去的魂灵驻足在此,主体的不在场性又充满了对时空的错觉。
精准传达 痛了
静止的外部运动,以及本质运动的静止。在作为景观的静止镜头中,班宁看似无意地爆破了那不属于空间但属于电影的听觉之线,从而粘合了一种听觉和视觉的新发明。引擎的轰鸣,自然的交响,利刃的切割随着汽车、森林和人与鹿出现,但是正是它们的重要性推动我们重新发现我们以前被认为是跟随和附庸的东西。画框因此不再被它容纳了什么而被感知,而是根据它忽视了什么而被理解。这种声音为自己确立的中心地位在那两个奇幻地描绘受害人的生活片段中得到了最直接的表现:不再是渲染气氛的背景音乐了。冷峻的手法雕刻出的是幽深的潜在和逆转与回溯的关键性:散落着的网球不再是静止的表象,我们可以把它们一一打回到球拍上去。